john’s keystrokes

  • Black and white photo of a landscape with mountains in the distance, a road in the foreground, utility poles and streetlights along the road, and a house to the right.

    intro, 1/46

    Before all was the Gram, a unit of measure, an image in time, an expression of will.

  • Black and white photo of raindrops on a window with blurred trees and sky visible in the background.

    fresh word, 2/46

    His name was John Waters, writer for the LV Herald, known primarily for coverage of the unrest on the Northside.

  • Black and white photo of a city intersection with traffic lights, street signs, a tall skyscraper, palm trees, and mountains in the background.

    satisfied, 3/46

    Two names caught Cam’el’ s eye. He set the three-year old on the floor. That was all it took to send her on a beeline for the electronic notepad, which had fallen between the futon and fichus tree.

  • Black and white image of tall skyscrapers and several cars on a busy city street, with a street sign reading 'Marquee'.

    john's witness, 4/46

    When the squad cars rolled to a stop, John Water’s was finishing a speech to a receptive crowd at the Rally for Peace.

  • Black and white photo of a carnival scene with a large building featuring the words 'Circus Circus' on top, a striped canopy, amusement rides, and parked cars in the foreground.

    witness cam'el, 5/46

    Driving on the South side was surreal, miles of nearly deserted streets lined with birch, olive, pine, willow and perfectly manicured lawns, even under drought restriction.

  • Black and white photo of rooftop with amusement park rides and structures, including star-shaped decorations and a decorative pole, against clear sky.

    goodwill, 6/46

    Miguel exited the Summerlin Goodwill clutching six white plastic bags, vendor treasure overflowing. He texted Colson a picture of his haul, designer denims and brown leather shoes.

  • Black and white photo of the Las Vegas Strip showing Casino buildings, cars parked in the foreground, and a hotel with a sign reading 'The Cosmopolitan'.

    wine water, 7/46

    Distracted by phones, sunsets, fast cars, and shiny lights, one of these jumps out and grabs the driver of the black Jeep, causing it to swerve violently then flip, the metal mass slamming hard into the freeway underpass.

  • Night view of a lively street with neon signs, including one that says "Not Your Father's" and "Root Beer" with 8.9% alcohol. Bright lights, decorative snowflake and reindeer figures, and parked cars are visible.

    cleansing temples, 8/46

    BRIDEZILLA. He watched it with the sound down, imagining scenarios from the wild hand gestures and mouthed cussing that followed.

  • Black and white photo of tall palm trees, a Ferris wheel, and modern skyscrapers in an urban setting.

    nic at night, 9/46

    The car rolls up to the Venetian. Nicole Denis, a tall woman in white linen and hair wrapped in regal kente’ gets in, engaged with a colleague on the phone.

  • Black and white photo of a statue of a woman holding a torch, with a small figure of a child on her leg. In the background, there is a sign for Caesars Palace and a billboard featuring Rod Stewart's album and an advertisement for The Dorsey cocktail bar in Las Vegas.

    john's truth, 10/46

    When they crossed paths again, John Waters noticed more young people surrounding Cam’el. He was forming a campaign circle.

  • Black and white cityscape featuring tall buildings, traffic lights, utility poles with wires, and street signs.

    well water, 11/46

    It, an expansive red sandstone canyon, plates moving in slow motion, shifting, pushing up from the ground – monuments tested, tried and true.

  • Black and white photo of a street lamp with a decorative design, positioned against a backdrop of a modern building with horizontal lines.

    collections, 12/46

    Cam’el unlocked the door. Behind him across the hall, Ms. Nancy spied through a crack. He turned and she unhinged the latch, child already in her arms, now in his.

  • Black and white photo of tall modern high-rise buildings in an urban cityscape with partly cloudy sky

    collections, 13/46

    Simone, emerging as a leader, greets everyone, as does her brother Andrew. Lana introduces her brother Baldwin to Colson, Miguel, Ray, Brent, Zora, Racine, Karl and Justus.

  • A black and white photo of a suburban neighborhood with rows of houses and a mountain in the background.

    going home, 14/46

    Cam’el was encouraged. Jackie and her friends had committed support, feeling the meeting had inspired them. On impulse, he decided to gather Karin and visit the old neighborhood.

  • A black-and-white photo of a modern building with Coca-Cola signage, traffic lights, and a person walking on the street.

    official daughter, 15/46

    Karl pulls the car into the Eucalyptus Senior Living roundabout. A well-dressed woman peers in from a curbside bench.

  • Black and white photo of a parking lot next to a building with palm trees in the background. The building has signs for a flower shop and a market. Several cars are parked, and the sky is partly cloudy.

    official daughter, 16/46

    Neither of them spoke until Karl exited 215 freeway, coming to a stop at the corner of Red Rock Casino.

  • A Ferris wheel with enclosed passenger cabins stands in an urban area, with trees, buildings, and power lines visible in the foreground and background.

    lame pool, 17/46

    The app rang and Zora follows the coordinates to Nellis Blvd. A young woman waits under a dim light in a deserted strip mall. “Irene?” As she gets in, the app rings again sending the carpool toward Fremont Street.

  • Nighttime city scene with a large illuminated billboard displaying fashion models and advertisements, cars on the street below, and tall buildings with lights.

    lame man, 18/46

    “Men wrote that.”

  • Night scene of a brightly lit amusement park ride with palm trees in front and signage advertising tickets from $59 for a show called 'Blue Man Group' at Luxor Las Vegas.

    cam'el represents, 19/46

    Nicole Denis extends an offer to Cam'el to audition for her new season of MARRIED TO THE MOVEMENT and BRIDEZILLA: Bachelor Edition.

  • A busy crosswalk scene on a city street with pedestrians walking in different directions, palm trees, traffic lights, and the Mandalay Bay hotel in the background.

    cam'el represents, 20/46

    When they get to Cam’el, he focuses on his father. "My dad is an incredible person. I mean, he taught me everything about who I am.

  • Black and white photo of downtown Las Vegas with tall hotel buildings, signs, and streetlights. Visible signs include a speed limit sign of 35 mph, a partial sign for Caesars Job, and a banner for employment.

    name it claim it, 21/46

    “That was great Cam’el,” Nicole said, unclipping the mic from his collar. “The stuff about you and your dad, exceptional, really different from the others.

  • A black and white photograph of suburban houses in front of mountains under a cloudy sky.

    name it claim it, 22/46

    "You’ve seen the things we’re doing across the Valley, chronicling lives in the shadow of a booming economy. We’re not blaming politicians or business, as some say.”

  • A black and white photo of a city street with cars parked along the curb and palm trees. A large building with advertisements and digital screens is visible in the background, including images of two men and various text and logos.

    one hundred, 23/46

    Early episodes of MARRIED TO THE MOVEMENT go well, showcasing a Las Vegas most never see. Cam’el’s first community action involves teams arriving at 'Bucks Coffee.

  • Black and white photo showing a cityscape with an ornate building facade, a billboard featuring a woman wearing sunglasses, and a portion of a piano at the bottom.

    end of season 1

    Season 2